It is no secret that philosophy was historically established as the endeavor of white men and that this history continues to underpin and inform the workings of the institutionalized discipline in contemporary university spaces. The discipline’s inherent preoccupation with the universal rather than the particular, the abstract rather than the material, has rendered philosophy particularly obtuse for certain kinds of thinking, and oblivious to large currents of political and aesthetic reflection that have shaped contemporary intellectual engagement with our world. In (...) this article, the authors’ aim is to read the epistemic erasures/foreclosures/violences associated with African philosophy differently, to ask whether it can change key. The article discusses Black African women’s creative work as theory or as philosophy done on different terms. The creative text that the authors center in this regard is the poem bientang (2020) by Black Afrikaans writer Jolyn Phillips. (shrink)