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The Bounds of Sense

Philosophical Topics 34 (1-2):327-344 (2006)

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  1. Jacobi’s Dare: McDowell, Meillassoux, and Consistent Idealism.G. Anthony Bruno - 2020 - In Dominik Finkelde & Paul M. Livingston (eds.), Idealism, Relativism, and Realism: New Essays on Objectivity Beyond the Analytic-Continental Divide. Berlin/Boston: De Gruyter. pp. 35-56.
    Does Kant’s restriction of knowledge to phenomena undermine objectivity? Jacobi argues that it does, daring the transcendental idealist to abandon the thing in itself and embrace the “strongest idealism”. According to Bruno, McDowell and Meillassoux adopt a similar critique of Kant’s conception of objectivity and, more significantly, echo Jacobi’s dare to profess the strongest idealism – what McDowell approvingly calls “consistent idealism” and Meillassoux disparagingly calls “extreme idealism”. After exposing the Cartesian projection on which Jacobi’s critique rests, Bruno shows that (...)
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  • Michèle Le Doeuff's "Primal Scene": Prohibition and Confidence in the Education of a Woman.Pamela Anderson - 2011 - Text Matters - a Journal of Literature, Theory and Culture 1 (1):11-26.
    Michèle Le Doeuff's "Primal Scene": Prohibition and Confidence in the Education of a Woman My essay begins with Michèle Le Doeuff's singular account of the "primal scene" in her own education as a woman, illustrating a universally significant point about the way in which education can differ for men and women: gender difference both shapes and is shaped by the imaginary of a culture as manifest in how texts matter for Le Doeuff. Her primal scene is the first moment she (...)
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  • Art, Authenticity, and Understanding.David Suarez - 2022 - In Jens Pier (ed.), Limits of Intelligibility: Issues from Kant and Wittgenstein. Routledge.
    Early 20th century debates over the possibility of ‘metaphysics’ are grounded in a set of questions and answers whose central themes are already delineated in Kant’s critical philosophy. Wittgenstein and Carnap are sympathetic to Kant’s dismissal of transcendent metaphysics, but skeptical that there could be any substantive account of the fundamental conditions of our meaning-making. By contrast, Heidegger follows Fichte and the early German Romantics in seeing answers to the problems raised by metacritique not in science, but in the non-discursive (...)
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