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  1. The Role of Awe in Environmental Ethics.Katie Mcshane - 2018 - Journal of Aesthetics and Art Criticism 76 (4):473-484.
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  • Overcoming the limits of empathic concern: the case for availability and its application to the medical domain.Elodie Malbois & Christine Clavien - 2020 - Medicine, Health Care and Philosophy 23 (2):191-203.
    Empathic concern is essential to our social lives because it motivates helping behavior. It has, however, well-known shortcomings such as its limitation in scope. Here, we highlight a further shortcoming of empathic concern: it contributes little to understanding the relevant features of complex social situations, and unaided by further cognitive inputs, likely fails to produce effective helping. We then elaborate on the conditions needed for an accurate assessment of others’ situations: the ability to pay attention and try to understand others (...)
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  • The Trouble with Environmental Values.Simon P. James - 2016 - Environmental Values 25 (2):131-144.
    If we are to assess whether our attitudes towards nature are morally, aesthetically or in any other way appropriate or inappropriate, then we will need to know what those attitudes are. Drawing on the works of Katie McShane, Alan Holland and Christine Swanton, I challenge the common assumption that to love, respect, honour, cherish or adopt any other sort of pro-attitude towards any natural X simply is to value X in some way and to some degree. Depending on how one (...)
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  • At the Limits: What Drives Experiences of the Sublime.Jérôme Dokic & Margherita Arcangeli - 2020 - British Journal of Aesthetics (2):145-161.
    Aesthetics, both in its theoretical and empirical forms, has seen a renewed interest in the sublime, an aesthetic category dear to traditional philosophers, but quite neglected by contemporary philosophy. Our aim is to offer a novel perspective on the experience of the sublime. More precisely, our hypothesis is that the latter arises from ‘a radical limit-experience’, which is a metacognitve awareness of the limits of our cognitive capacities as we are confronted with something indefinitely greater or more powerful than us. (...)
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  • Why the Sublime Is Aesthetic Awe.Robert R. Clewis - 2021 - Journal of Aesthetics and Art Criticism 79 (3):301-314.
    This article focuses on the conceptual relationship between awe and the experience of the sublime. I argue that the experience of the sublime is best conceived as a species of awe, namely, as aesthetic awe. I support this conclusion by considering the prominent conceptual relations between awe and the experience of the sublime, showing that all of the options except the proposed one suffer from serious shortcomings. In maintaining that the experience of the sublime is best conceived as aesthetic awe, (...)
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  • Awe and the Experience of the Sublime: A Complex Relationship.Margherita Arcangeli, Marco Sperduti, Amélie Jacquot, Pascale Piolino & Jérôme Dokic - 2020 - Frontiers in Psychology 11.
    Awe seems to be a complex emotion or emotional construct characterized by a mix of positive (contentment, happiness), and negative affective components (fear and a sense of being smaller, humbler or insignificant). It is striking that the elicitors of awe correspond closely to what philosophical aesthetics, and especially Burke and Kant, have called “the sublime.” As a matter of fact, awe is almost absent from the philosophical agenda, while there are very few studies on the experience of the sublime as (...)
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  • Consciousness and Moral Status.Joshua Shepherd - 2018 - New York: Routledge.
    It seems obvious that phenomenally conscious experience is something of great value, and that this value maps onto a range of important ethical issues. For example, claims about the value of life for those in a permanent vegetative state, debates about treatment and study of disorders of consciousness, controversies about end-of-life care for those with advanced dementia, and arguments about the moral status of embryos, fetuses, and non-human animals arguably turn on the moral significance of various facts about consciousness. However, (...)
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  • Consciousness is Sublime.Takuya Niikawa - forthcoming - Ergo: An Open Access Journal of Philosophy.
    Does consciousness have non-instrumental aesthetic value? This paper answers this question affirmatively by arguing that consciousness is sublime. The argument consists of three premises. (1) An awe experience of an object provides prima facie justification to believe that the object is sublime. (2) I have an awe experience about consciousness through introspecting three features of consciousness, namely the mystery of consciousness, the connection between consciousness and well-being, and the phenomenological complexity of consciousness. (3) There is no good defeater of the (...)
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