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The 4th Dimension. Wittgenstein on Colour and Imagination

In Christian Kanzian, Josef Quitterer & Edmund Runggaldier (eds.), Persons. An Interdisciplinary Approach. Papers of the 25th International Wittgenstein Symposium. Austrian Ludwig Wittgenstein Society. pp. 284-286 (2002)

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  1. The Role of Geometrical Representations – Wittgenstein’s Colour Octahedron and Kuki’s Rectangular Prism of Taste.Shogo Hashimoto - 2022 - Athens Journal of Philosophy 1 (1):9-24.
    In his writings Philosophical Remarks, the Austrian-British Philosopher Ludwig Wittgenstein draws an octahedron with the words of pure colours such as “white”, “red” and “blue” at the corners and argues: “The colour octahedron is grammar, since it says that you can speak of a reddish blue but not of a reddish green, etc”. He uses the word “grammar” in such a specific way that the grammar or grammatical rules describe the meanings of words/expressions, in other words, how we use them (...)
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  • Remodel[l]ing Reality. Wittgenstein's übersichtliche Darstellung & the phenomenon of Installation in visual art.Tine Wilde - 2008 - Dissertation, University of Amsterdam
    Remodel[l]ing Reality is an inquiry into Wittgenstein's notion of übersichtliche Darstellung and the phenomenon of installation in visual art. In a sense, both provide a perspicuous overview of a particular part of our complex world, but the nature of the overview differs. Although both generate knowledge, philosophy via the übersichtliche Darstellung gives us a view of how things stand for us, while the installation shows an unexpected, exiting point of view. The obvious we tend to forget and the ambiguity of (...)
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