Abstract

Lengthy critical notice of J. B. Kennedy, The Musical Structure of Plato's Dialogues (Acumen, 2011). We approached the prospect of reviewing Kennedy’s book with excitement and optimism, but we’ve left rather disappointed. The case doesn’t hang together, we think, because it requires us to suppose that Plato composed to a pattern that his readers wouldn’t be looking for. They wouldn’t be looking for it musically, because it is not musically significant. Moreover, if he expected them to be looking for such a pattern in the stichometry, then the evidence available to us suggests that his expectations went wholly unfulfilled. Plato may have been a perverse writer in many ways – for instance, by disparaging philosophical writing in a philosophical text – but we think Kennedy’s hypothesis requires us to attribute a touch too much perversity to one of our favourite authors.