Abstract

This article presents a dual purpose: to carefully consider objections against the existentialist conception of the content of visual experience and to develop and defend a version of it that avoids such objections, specifically addressing the so-called "problem of particularity." The main thesis is that the existential content of visual experience should be understood as relativized, being incomplete content (rather than classical, complete propositions), modeled as a function of the sextuple of the object, agent, time, place, causal relation, and world to absolute values.