This work was written for the Midlands Conference of Critical Thought which took place on 5–6th April 2024 at Nottingham Trent University. It was presented for a session on productivity, process, and the value of making, organised by the Vienna Contemporary Art Space. The work provides an overview of two of the presenter’s essays, Content and Operation and Instinct and Intelligence, to show how the process of philosophy can be the subject matter of philosophical works.

In the life and work of Marcel Duchamp, there is the combination of the visual and the ideational in works such as The Large Glass, the combination of art and chess within his productive activity, the combination of this productive activity and the ways he made money to live, and the combination of the artwork and the viewer in art’s ongoing developmental movements. These combinations provide a content that can be used to create an understanding of the operation of combination (...) itself. This combination can then be conceptualised through a demarcation of its general features: the layered structural basis of how multiple combinations constitute a combinational whole, and the way in which the purpose of combination becomes the driver of its developmental movements. Another purpose could be to open other terrains of thought for the development of philosophy, allowing a renewed source of momentum through a combinational method. (shrink)

Parmenides and Heidegger is an essay about the dominance of being over thought in the history of Western philosophy. These two thinkers are chosen because of the extremity of their position. As shown, their view is that thought is being and no more.

Instinct and Intelligence is an essay about creative writing. The two elements of the title are present in human thought in general, but the writing process - especially in philosophy - pushes them to extremes. Through this process we can notice and document the nature of each side, conceptualising them in order to create a structural description of thought's creation that may become operative within creation itself.

This essay develops a conceptual structure which is primarily delineated by the extremes of pure opposition and pure non-opposition. The former involves pure denial, destruction, and rejection, while the latter involves pure ignorance, indifference, and affirmation. Both of these extremes can, however, be mitigated by another conceptual element: an ethical demand whose form varies according to the field in which opposition takes place. The essay shows how these extremes along with the mitigating ethical demand can be seen to operate within (...) the four fields of politics, art, philosophy, and the self. On the basis of this, two forms of unity are then described which traverse these fields: the dimension of developmental movement and the dimension of ethics. Finally, the essay outlines a pragmatic of opposition, which concerns the ways that opposition's conceptual structure can be used to bring opposition out of its silence and into speech within the actual circumstances that it occurs. (shrink)

Thought’s Pathway was published in the third Zeno Press anthology. Edited by Christian Patracchini, the subject of the anthology was the themes present in Elmmino Olmi’s A Tree of Wooden Clogs. The essay explores the relationship between thought and the natural environment, the places where Heidegger and Nietzsche chose to think, and the dual-meaning of the title in terms of the representational unity of the inner line of thinking and outer natural area.

This work is based on correspondence with an academic during December 2019, regarding the first three sections of The Absent World.

The Absent World is an essay about the operation of language and thought concerning the gap between sense and referent. Due to variations in the structure of this gap, when we speak or think about the absent world, without the present object to supplement our meaning, unique psychological and ethical dimensions arise as we try to understand a world that surpasses us. As opposed to phenomenology, where the concept of absence structures our understanding of the absent world, this work will (...) posit the actuality of the absent as the basis of another relationship between ourselves and a world that is unseen. This thought of actuality will be developed through an exploration of empathy and a particular thought of death. Then it will be shown how it provides an aspect of a re-imagined concept of depth which, as it refers to a world that overflows any generality, will manipulate the gap between sense and referent in such a way that the usually silent operations of generalisation become not only manifest but pushed towards new extremes. This conceptual movement will be shown to be operative in our understanding of the absent, altering the way a subject’s world can be transformed by its interaction with the unknowns that surpass it. (shrink)

This work is a short compilation of notes from my own notebooks. It was shown at the Museum of Futures' annual visual literature exhibition for 2020 on the subject of notational literature and the (un)finished draft. The notes selected discuss note taking itself, art, and themes from my essays.

Manet's Bar is a very short essay which shows how vision may operate in the scene depicted by Manet's Un bar aux Folies Bergère.

Content and Operation develops the concept of a distinction within thought itself according to what it thinks (i.e. its content) and what it does (i.e. its operation). It is an essay on creative thought that explores the way that the vision of this distinction may alter the terrain in which thought thinks.