When talking about how cinema is affected by late-stage capitalism we have to look at the overall meaning of the film. But on occasion, these films incorporate stylistic but also temporal context. In this paper, I will use a traditional and contemporary phenomenological approach not just on the temporality aspect but the over the condition of cinema in late-stage capitalism. I will use Children Of Men to open up the ideas of how time within itself such as Heideggerian terms. Such (...) as the single shot sequences can not only reveal to us how time can be disjointed from the comprehensive understanding of personal time. Also the use of narrative as a vehicle for disclosing and the emergence of the true nature of the world and the state that it is in. Not just Being-in-the-world but the actualization of how late-stage capitalism brings about this disconnection with time and ontological narrative. Within this tension I will unpack it so we can see how time is both suffering from reification in the terms that Georg Lukács establishes and how being present-at-hand create a natural tension were capitalism exploits our own disjointed time but film is able to capture it in a manner that is not only presentable but it relates even though all experiences are unique in this fragmented reality. (shrink)

When Kant begins his judgements of beauty in several step eventually, we reach a nexus to which taste and a certain subjectivity is taken into account. But at the end of the day we ask ourselves why is it beautiful? There are certain objects such as tragic poems and video games that are beautiful deemed beautiful. In this essay I will explore the tension created by Kant’s judgements of beauty and the beauty of tragedy through the medium of poetry and (...) video games. Mary Mothersill’s (2004) Beauty and the Critics Judgment: Remapping Aesthetics article brings together how word itself authorizes the notion of beauty from which Kant’s own struggle with this tension is further unresolved. This important development is brought into the forefront when we treat art as an epistemic experience much like how John Dewey (1934) wrote in his book Art as Experience. By framing this with Georg Trakl’s poem Grodek and Hideo Kojima’s video game Death Stranding, we see that Kant’s judgments show an understanding of the beauty of tragedy. (shrink)

The question of what “is” someone who is queer in a metaphysical standpoint have been hotly debated in contemporary metaphysics of gender. In my paper I will explore the view of a Phenomenological source and understanding of queerness within the umbrella of gender. Within the realm of gender we can see how queerness is a blob to which gender is both part of and a stand in for the person gender. Using Phenomenological methods based on Husserl’s foundation I can establishes (...) a base for which queerness can be clearly seen. In my paper I will address not only the difference of cis heteronormative phenomenology and the reality that queer people live. This causes a negation in a metaphysical way. The object in which the queer person lives becomes In a way how Hegel understood that if we see a gendered person in the cis reality we can say “this is a man or women” due to the way we correspond cis normative gender. This is where I will try to use Husserl’s “principle of contradiction” and Hegel’s idea of “negation” to show the fluidity of gender in which queerness encompasses. I can clearly demonstrate the “Horizon” in which the limits of cis hetero perspective of understanding of gender and queerness. But in the same thought I will further drive this idea that in a sense the split with in an ontological reality between the lives of cis hetero people and queer people. By giving definitions of what if different such a orientation and performance with the reality that queer people live with such a gender binary ontology. I will then derive some meta-language and construct a realty how communities build themselves from a mutual understanding of this queer ontology. Also real world examples of how the logic of gender effects the way that queer people operate. The counter argument I would argue against a gender nihilism that would try to attack the question that I raise that queerness is a separate state within consciousness. To which I would defended against an individual level of gender identity and understanding. To treat gender in an alienated value. But by using a strong phenomenological structure I would be able to defended by idea that queerness with in gender is a whole different ontological reality that the cis hetero reality. I will then derive some meta-language and construct a realty how communities build themselves from a mutual understanding of this queer ontology. . (shrink)

Dreams as Virtual Reality simulations. When David Chalmers wrote “The Virtual and the Real” the argument many focused on the metaphysical and epistemic nature Virtual Reality and how it compares to waking states and dreaming sates. But one interesting segment of the paper is where he defends his thesis by claiming that dreams are not experiences. This is where I take issue and, in my paper, I claim that dreams as much as VR are epistemically similar enough to be called (...) an experience. Exploring my thesis further in how the function of phenomenal and access consciousness play a key role in waking states and dreaming states. Having followed the argument laid out by Chalmers, I first test what would a sufficient answer for my claim look like. Then I chip away at the idea leading to the conclusion that dreams are epistemically rich as waking states. (shrink)