Hume: Perception

Nathan Sasser's ‘purely practical reading of Hume’s response to skepticism’ is so natural and compelling that it is almost surprising that his new monograph, Hume and the Demands of Philosophy, offers its first systematic defence. I praise the book's clarity and concision, and then raise concerns about omitted topics, especially concerning Hume's views on the practical value of sceptical philosophy.

I argue that the Hume of the Treatise maintains an account of knowledge according to which (i) every instance of knowledge must be an immediately present perception (i.e., an impression or an idea); (ii) an object of this perception must be a token of a knowable relation; (iii) this token knowable relation must have parts of the instance of knowledge as relata (i.e., the same perception that has it as an object); and any perception that satisfies (i)-(iii) is an instance (...) of knowledge. I then apply this account to the case of sense perception. I argue that Hume holds that relations of impressions can be intuited, are knowable, and are necessary. For Hume, these relations constitute sensory knowledge. While Hume is rightly labeled an empiricist for many reasons, a close inspection of his account of knowledge reveals yet another way in which he deserves the label. (shrink)

Hume appeals to a mysterious mental process to explain how to world appears to possess features that are not present in sense perceptions, namely causal, moral, and aesthetic properties. He famously writes that the mind spreads itself onto the external world, and that we stain or gild natural objects with our sentiments. Projectivism is founded on these texts but it assumes a reading of Hume’s language as merely metaphorical. This assumption, however, conflicts sharply with the important explanatory role that “spreading” (...) and “staining” are supposed to play, which, ironically, is the very appeal of Hume’s texts to projectivists. In this paper, I first consider the difficulties readers of Hume have encountered in their attempts to ascertain nature of the key psychological process. I then identify in Hume’s texts novel theoretical resources that allow Hume to produce a satisfying answer to the question of process, that is, an account of the precise nature of the key process. I offer this explanation assuming what I take to be Hume’s austere conception of the elements involved in the process: sense impressions and “internal impressions” lacking intrinsic intentionality. On my reading, the spreading process explains the gap between the meager input and the rich, novel output: causal, moral and aesthetic judgments. (shrink)

Hume is an experimental philosopher who attempts to understand why we think, feel, and act as we do. But how should we evaluate the adequacy of his proposals? This chapter examines Hume’s account from the perspective of interdisciplinary work in cognitive science.

Este trabajo se divide en dos partes relacionadas pero independientes. La primera es un estudio de las percepciones y la subjetividad en el pensamiento de Hume. Del estudio mencionado se extraen elementos para una ontología de la imaginación, en particular la idea de intermitencia ontológica que se deriva del primer libro del Tratado de la naturaleza humana. En la segunda parte se estudia la epistemología de las virtudes de Ernest Sosa y se introduce el concepto de imaginación, así como la (...) idea de intermitencia extraída del pensamiento de Hume. A partir de lo anterior se pondera el valor epistémico de la imaginación y se postula la noción de paradigma de verdad. (shrink)

En el presente artículo se propone una interpretación del pensamiento de Hume para la comprensión de temas y problemas filosóficos que Hume, en su tiempo, no tuvo en consideración, pero que el día de hoy son relevantes. En primer lugar, se analiza el principio de semejanza y se postula la tesis de la unidad de las percepciones a partir de dicho principio. En segundo lugar, mediante un razonamiento analógico se trata de aplicar la doctrina de las percepciones en Hume para (...) la comprensión y fundamentación filosófica de los derechos humanos, en especial en lo tocante al principio de igualdad y simpatía entre seres humanos. Finalmente, se considera una concepción contemporánea de semejanza que nos permite replantear el problema y reafirmar la importancia de la imaginación y la fantasía en la comprensión y fundamentación de los derechos humanos. (shrink)

David Hume fancied himself the Newton of the mind, aiming to reinvent the study of human mental life in the same way that Newton had revolutionized physics. And it was his view that the novel account of belief he proposed in his Treatise of Human Nature was one of that work’s central philosophical contributions. From the earliest responses to the Treatise forward, however, there was deep pessimism about the prospects for his account. It is easy to understand the source of (...) this pessimism: The constraints he employed in theorizing stem from his Newtonian ambitions. Constraints such as his copy principle and his decision to rely only on variations in “force and vivacity” for differentiating types of mental states severely limit his available explanatory resources. However, it is one thing to regard an account as untenable, and quite another to understand where it fails. In this paper, I focus on one long-standing objection to Hume’s account — the objection that Hume cannot offer an account of negative belief or denial — as presented by Hume’s contemporary Thomas Reid, as well as more recently by Barry Stroud, and defend Hume from this objection. I argue that Hume both should and does endorse an account of negative belief based in relations of contrariety between contents, rather than between mental activities, and survey the different options available to Hume for spelling out an account of contrary contents. (shrink)

In a recent article on Reid’s theory of single and double vision, James Van Cleve considers an argument against direct realism presented by Hume. Hume argues for the mind-dependent nature of the objects of our perception from the phenomenon of double vision. Reid does not address this particular argument, but Van Cleve considers possible answers Reid might have given to Hume. He finds fault with all these answers. Against Van Cleve, I argue that both appearances in double vision could be (...) considered visible figures of the object, and show how this solution might preserve Reid’s direct realism. However, this solution is not compatible with the single appearance of an object predicted by Reid’s theory of single and double vision. This consequence will appear evident once we consider the critique of Reid’s theory of single and double vision formulated by William Charles Wells (1757-1817). Wells argues that Reid’s theory is either incomplete or incompatible with other claims made by Reid. It is incomplete since it fails to specify the unique direction in which we the object in single vision; if it not incomplete and is compatible with the law of monocular direction given by Reid, then it is incompatible with Reid’s claim that we do not perceive immediately distance by sight. (shrink)

This paper investigates Hume's theory of the perception of spatial magnitude or size as developed in the _Treatise<D>, as well as its relation to his concepts of space and geometry. The central focus of the discussion is Hume's espousal of the 'composite' hypothesis, which holds that perceptions of spatial magnitude are composed of indivisible sensible points, such that the total magnitude of a visible figure is a derived by-product of its component parts. Overall, it will be argued that a straightforward (...) reading of this hypothesis fails to do full justice to the complexity of Hume's theory of spatial perception and geometry, and that a more adequate treatment must also admit an important role for the more direct process of spatial magnitude perception which he dubs 'intuition'. (shrink)

Throughout this paper my objective will be to establish and clarify Hume's original intentions in his discussion of causation in Book I of the Treatise. I will show that Hume's views on ontology, presented in Part IV of that book, shed light on his views on causation as presented in Part III. Further, I will argue that Hume's views on ontology account for the original motivation behind his two definitions of 2 cause. This relationship between Hume's ontology and his account (...) of causation explains something which has baffled Hume scholars for some time,- namely, why does Hume's discussion of causation in I, iii, 14 have such a paradoxical air about it? I will show that Hume's views on causation have a paradoxical air about them because they rest on an ontology of "double existence" - an ontology which Hume describes as the monstrous offspring of two principles, which are contrary to each other, which are both at once embrac'd by the mind, and which are unable mutually to destroy each other (T 215) My interpretation will centre on the following two claims: (i) When Hume wrote Section 14, Of the idea of necessary connexion, he was primarily concerned to attack the view that the origin of our idea of necessity was to be discovered in the operations of matter or bodies. Of the suggested sources from which our idea of necessity could be thought to originate this is the source which, initially, interested Hume the most. It is, therefore, of great importance that we interpret Hume's remarks in light of this fact. (ii) Hume offers the first definition of cause as an account of causation as it exists in the material world independent of our thought and reasoning.He offers the second definition as an account of causation as we find it in our perceptions. It will also be argued, in this context, that necessity constitutes "an essential part" of both of Hume's two definitions of cause. (shrink)