Locke: Perception

Much recent philosophy of perception is preoccupied with finding a place for phenomenal character in a physical world. By contrast, Locke’s philosophy of sensory perception is an episode in his ‘Historical, plain method’ and seeks to map out the processes by which we experience ordinary objects. On Locke’s account, our ideas of primary and secondary qualities enter the mind ‘simple and unmixed’; having an idea of a colour, for example, is not necessary for the visual experience of a shape. An (...) analysis of the Molyneux problem reveals that, for Locke, judgment corrects the initial two-dimensional idea vision presents us with. Nevertheless, Locke’s position is problematic: he has no account of how we pair ideas of primary and secondary qualities, nor of how we could experience a colourless visual idea of shape. (shrink)

This paper offers an epistemic defense of empathy, drawing on John Locke's theory of ideas. Locke held that ideas of shape, unlike ideas of color, had a distinctive value: resembling qualities in their objects. I argue that the same is true of empathy, as when someone is pained by someone's pain. This means that empathy has the same epistemic value or objectivity that Locke and other early modern philosophers assigned to veridical perceptions of shape. For this to hold, pain and (...) pleasure must be a primary quality of the mind, just as shape is a primary quality of bodies. Though Locke did not make that claim, I argue that pain and pleasure satisfy his criteria for primary qualities. I consider several objections to the analogy between empathy and shape-perception and show how Locke's theory has resources for answering them. In addition, the claim that empathetic ideas are object-matching sidesteps Berkeley's influential objection to Locke's theory of resemblance. I conclude by briefly considering the prospects for a similar defense of empathy in contemporary terms. (shrink)

Locke has been accused of failing to have a coherent understanding of consciousness, since it can be identical neither to reflection nor to ordinary perception without contradicting other important commitments. I argue that the account of consciousness is coherent once we see that, for Locke, perceptions of ideas are complex mental acts and that consciousness can be seen as a special kind of self-referential mental state internal to any perception of an idea.

The paper argues against the claim held, e.g., by Leibniz, that Locke employs a double standard for determining whether an object before the mind (i.e., an idea) is real. Using Locke's ectype-archetype distinction it is shown that this charge is the result of confusing Locke's criterion of reality with its application. Depending on whether it applies to a simple, substance or mode idea, the criterion works out differently. Next it is argued that although Locke maintains only a single criterion, this (...) criterion is untenable, since it fails to properly distinguish real from fantastical ideas. (shrink)