This paper makes two main arguments. First, that to understand analogy in St. Thomas Aquinas, one must distinguish two logically distinct concepts he inherited from Aristotle: one a kind of likeness between things, the other a kind of relation between linguistic functions. Second, that analogy (in both of these senses) plays a relatively small role in Aquinas's treatment of divine naming, compared to the realist semantic framework in which questions about divine naming are formulated and resolved, and on which the (...) coherence of the doctrine of divine simplicity—which is what gives rise to the questions of divine naming in the first place—depends. (shrink)

In a living body, the substantial form, the essence, and the soul play very similar, but non-identical, metaphysical roles. This article explores the similarities and differences to clarify basic points of Thomistic metaphysics.

Ockham is usually considered the first to hold a proper theory of mental language, but Aquinas is willing to call the concept, or the act of intellect by which something is understood, a verbum mentis or “mental word.” This essay explores the sense in which Aquinas regarded concepts as language-like. It argues that Aquinas's understanding of concepts and their objects meant that his application of syntactic and semantic analysis to them did not and could not lead in the direction of (...) theories of mental language as it was conceived by nominalist philosophers. -/- (Version for download here is uncorrected proofs. Please cite from published final version.). (shrink)

Urbaniana University Journal 73.3 (2020): 73-99. -/- A close reading of Hume’s Dialogues Concerning Natural Religion reveals that it is not what it appears. Rather than a work of natural theology, meant to show something about arguments concerning the existence and nature of God, the Dialogues turn out to embody a moral pedagogy exemplifying and attempting to instill a conception of piety and religion as virtues. This paper defends this interpretation by reviewing three alternative, but ultimately inadequate, interpretations of the (...) text, and then compares Hume’s moral pedagogy with that of Aquinas in the Summa Theologiae to highlight the ambition, and the limitation,of Hume’s attempt to characterize piety without metaphysics. (shrink)

Cajetan’s analogy theory is usually evaluated in terms of its fidelity to the teachings of Aquinas. But what if Cajetan was trying to answer questions Aquinas himself did not raise, and so could not help to answer? Cajetan’s De Nominum Analogia can be interpreted as intending to solve a particular semantic problem: to characterize the unity of the analogical concept, so as to defend the possibility of a non-univocal term’s mediating syllogistic reasoning. Aquinas offers various semantic characterizations of analogy, saying (...) it involves, for instance: signification per prius et posterius; or a ratio propria which is only found in one analogate; or diverse modi significandi with a common res significata. Examined in turn, it is clear that none of Aquinas’s rules for analogy solve the semantic problem described. Cajetan thus cannot be reasonably expected to have intended his analogy treatise primarily as an interpretation or systematization of Aquinas’s teaching on analogy. (shrink)

One of John Paul II’s remarkable innovations was his embrace of the question of “the meaning of life.” The question of “the meaning of life” was never asked before the 19th century, and it was slow to be integrated into Catholic discourse. When the question of life’s meaning emerged, it effectively replaced a prior question, about the purpose or te-los of life, with a very different set of theoretical assumptions. From the traditional per-spective, the question of life’s meaning is highly (...) suspicious, and even Pope John Paul II’s unparalleled embrace of the question confirms that he framed his personalism in terms of the older question of life’s purpose or telos. (shrink)

Argues that traditional Catholic understanding of transubstantiation is obscured by modern metaphysics' neglect of the category of substance, and by modern semantic assumptions about how words signify.

This paper seeks to articulate the relationship between medieval logic and theology. Reviewing modern scholarship, we find that the purpose of medieval logic, when it is even inquired about, has proven difficult to articulate without reference to theology. This prompts reflection on the metaphors of logic as a “tool” and a “game”: a tool is not merely instrumental, insofar as it can have its own intrinsic goods and can shape and be shaped by that which it serves; likewise a game, (...) with its own intrinsic goods, may yet contribute to extrinsic goods as well. After reviewing some distinctive ways in which theology shaped developments of medieval logic, this paper summarizes key examples from the work of Thomas Aquinas where medieval logic shaped the articulation of, and is therefore crucial to a proper understanding of, theological arguments and claims. The conclusion suggests implications for future philosophical and theological work. (shrink)

The influence of Cajetan’s De Nominum Analogia is due largely to its first three chapters, which introduce Cajetan’s three modes of analogy: analogy of inequality, analogy of attribution, and analogy of proportionality. Interpreters typically ignore the final eight chapters, which describe further features of analogy of proportionality. This article explains this neglect as a symptom of a failure to appreciate Cajetan’s particular semantic concerns, taken independently from the question of systematizing the thought of Aquinas. After an exegesis of the neglected (...) chapters, which describe the semantics of analogy through the three levels of cognition (simple apprehension, composition and division, and discursive reasoning), the article concludes with observations about the relationship between Cajetan and Aquinas and the philosophical and historical signifi cance of Cajetan’s approach to the semantics of analogy. (shrink)

Describes a Neoplatonic hierarchy of the cardinal virtues extending to immaterial beings, and compares its appropriation by Bonaventure and Aquinas.

The common view that Aquinas changed his mind about analogy (before and after De Veritate 2.11) is unwarranted. Dialectical context, and clarifications about the logic of analogy and the implications of proportionality, reveal consistency in Aquinas's teaching on the analogy of divine names.

Cajetan's treatment of analogy in De Nominum Analogia is well known as the most influential and sophisticated theory of a central issue in Thomistic philosophy. The late twentieth century saw that theory subject to a family of criticisms. If the critics are correct, Cajetan's analogy theory is also significant historically for exposing weaknesses latent in medieval semantic assumptions. According to the critics, the Aristotelian assumptions that words signify by means of discrete “concepts,” and that the meaning of propositions depends on (...) the significations of its component terms, cannot do justice to the complexity, variety, and flexibility of actual human discourse; in De Nominum Analogia they see the elegant structure of classical semantics collapsing under the pressure of analogical language. In this article, I examine these criticisms of Cajetan's analogy theory, and argue that, in light of both Cajetan's semantic principles and his hermeneutic practice, they fall short. The conclusion not only implies a defense of Cajetan's project, but clarifies the general philosophical alternatives available within the traditional Aristotelian semantic framework. (shrink)

What role does Scotus‘s understanding of univocity play in Cajetan‘s development of a theory of analogy? In this paper I examine three relevant texts from Cajetan (question 3 of his commentary on Aquinas‘s De Ente et Essentia, his treatise De Nominum Analogia, and his commentary on question 13, article 5 of Aquinas‘s Summa Theologiae) in which Cajetan articulates his understanding of analogy at least in part through dialectical engagement with Scotus‘s arguments about univocity.

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Philosophy 42.2 (2004) 219-220 [Access article in PDF] Jack Zupko. John Buridan: Portrait of a Fourteenth-Century Arts Master. Notre Dame: University of Notre Dame Press, 2003. Pp. xix + 446. Cloth, $70.00. Paper, $40.00. What does the name "John Buridan" call to mind? For many, including medievalists, not much at all—at best, perhaps, a set of apparently unrelated ideas: nominalism; an impetus theory of (...) projectile motion; and a peculiar account of the will (although "Buridan's ass," the indecisive donkey caught between two equally appetizing bales of hay, is not found in Buridan's writing). In correcting this ignorance—an injustice to arguably the most famous and influential philosopher of the early-to-mid-fourteenth century—the temptation might have been to articulate Buridan's "positions" on "the big questions," allowing readers to fit Buridan into received categories. Thankfully, the present work, the first book-length study of Buridan in any language, resists this temptation. The John Buridan that emerges from Jack Zupko's skillful "exercise in philosophical portraiture" doesn't serve to simply fill gaps in our awareness of the historical record, but to enlighten and challenge our understanding of the practice of philosophy and the study of its history.Zupko emphasizes throughout that Buridan was a teacher, a master of arts in Paris. Buridan's pedagogical concerns help make sense of his central work in logic. As the basis for his arts lectures, Buridan chose Peter of Spain's Summulae Logicales, but in commenting on Peter, Buridan moves beyond creative exegisis to comprehensive renovation. Buridan (c. 1300-c. 1361) naturally wanted to accommodate terminist or via moderna supposition theory; but more importantly, he wanted a logic text that would set out a general plan of philosophical inquiry, "a compendium of methods, a 'how-to' book for the philosopher" (135). Buridan thus designed his own Summulae de Dialectica as a new authoritative logic text, and Zupko persuasively argues that its "nominalism" should be understood as less a set of doctrines in theoretical logic, than a program of logical practice, an education in logic as the ars artium, the universal intellectual tool.Zupko's portrait of "Buridan's vision of the philosophical enterprise" is thus appropriately divided into two parts. The first summarizes Buridan's method as described in the individual treatises of his Summulae. The second displays the method in practice, rehearsing and evaluating some of Buridan's arguments on various subjects. Many scholars will gravitate first to the latter part, where Zupko offers important interpretations and clarifications of Buridan's views. In these chapters, Zupko helps us to appreciate, among other things: how the problem of universals served to help Buridan define the scope of philosophy (ch. 10); the philosophical modesty of Buridan's account of the intellectual soul's presence in the body (ch. 11); the relationship between Buridan's epistemology and the skepticism of his Parisian contemporary Nicholas of Autrecourt (ch. 12); the sense in which Buridan is an "empiricist," viz an epistemic naturalist and reliabilist (ch. 13); how Buridan regarded moral psychology as applied physics, treating virtue as a kind of impetus (ch. 14); how Buridan's account of freedom can be regarded as a "perfection" of Thomistic intellectualism (ch. 15).Throughout these discussions, Zupko always keeps in sight his larger purpose of illustrating Buridan's conception of philosophical inquiry. Zupko makes much of the fact that [End Page 219] Buridan never wrote as a theologian, remaining his entire career in the arts faculty, where he wanted logic to organize secular inquiry. As Zupko notes, in this way Buridan's scholastic project seems to prefigure the "modern." But Buridan seems modern in another way as well. As Zupko points out in his "Introduction," though a cleric, Buridan never joined a religious order, so that his ideas developed independently of the Franciscan and Dominican traditions. He was, then, a teacher without a tradition—at least without deliberate allegiance to tradition, although he was in many ways the product of traditional scholastic intellectual discipline.Perhaps this... (shrink)

In a 1993 autobiographical essay, John Rist wrote: "Christianity is above all others the religion that speaks of God's presence in history, not only in the past, as in creation and in the incarnation, but continuously into the present and … through the Church into the future. Of course that does not mean that all religious and ethical advances will be made by Christians, let alone by theologians or bishops; God needs no such limitations. What it means is that Christians (...) must claim that the Church will, at least eventually, be able to accept all that is best among such advances, whatever their origin." The present volume explores the promise of these three sentences, and the result is a capstone work, at once Rist's most ambitious, and his most personal.The main chapters explore particular philosophical and theological themes, roughly moving from anthropology through aesthetics to politics. Chapter 1 considers the significance of sexual difference, attending especially to Christian attempts to account for the dignity of women. Chapter 2 considers the problem of original sin, human freedom, and divine providence. Chapter 3 traces the development of Christian aesthetics as a coming to terms with the power of beauty. Chapter 4 considers the problem of authority within the Church. (shrink)

Review of the English translation of Bernard Montagnes' influential 1963 monograph on analogy in Aquinas. (Pre-publication copy -- please cite final version.).