Analysing Cassirer's positions in the Nachruf dedicated to Natorp (1925) and in the third volume of the Philosophy of Symbolic Forms (1929), I will try in this short paper to outline the core, merits, and limitations of Natorp's psychology in Cassirer's interpretation. In doing so, I will emphasise three elements: 1. the cornerstones of Natorpian psychology, which for Cassirer represent Natorp's main contribution to the history of ideas; 2. the thematic unity of Natorp's philosophical production; 3. the fundamental continuity between (...) Natorp's research and that of Cassirer. These three aspects are interwoven and belong in some way to the inner development of Marburg Neo-Kantianism. (shrink)

This paper aims at showing that Karl Leonhard Reinhold’s theory of representation and consciousness constitutes a link between Kantianism and the further developments of idealism. By retracing the presence of Reinhold in the young Hegel’s work, the author suggest that Reinhold may have influenced Hegel’s reading of Kant.

The paper shows that Natorp's philosophical system is already in its origins a logical scheme for a philosophy of culture. The paper focuses on Natorp's 1887 work on the objective and subjective foundations of knowledge.

This article analyses the text of Natorp's lecture given at the Kantgesellschaft in Halle in 1912 (Kant und die Marburger Schule) and attempts to describe what is meant by "transcendental method" for Paul Natorp. The aim is to compare the theses of the Marburg philosopher with the Kantian dictates of the first Critique and to show how Kant's philosophy of culture can be defined. Furthermore, it will be shown here how the dense account of '12 is also a fundamental tool (...) from the point of view of the critical examination of the New Kantian's reflection, since it was presented in the same year as the publication of the Natorpian Allgemeine Psychologie nach kritischer Methode, one of the philosopher's most controversial and debated works. (shrink)

The paper attempts to describe a kind of transformation of the way we represent the world in the digital age. Starting from the definition of a precise meaning of “the term "digital", a conceptualisation of digital representation is proposed based on some moments of Immanuel Kant’s thought and concluded with some current reflections.

The aim of this paper is to trace one of the deepest roots of Hegel's concept of history within Kant's doctrine of schematism. I propose to draw a line of continuity between Kant's Einbildungskraft and Hegel's Selbstbewusstsein. The concept of Selbstbewusstsein of the young Hegel is to be understood, in my view, as the moment when the extreme and radical consequences are drawn from the schematism of the first Critique, revised in the light of Kant's reflections on teleology developed in (...) the Critique of Judgment. In this sense, Hegel can be seen as the 'solution' to the rift that opened up in the heart of Western culture during the Enlightenment. (shrink)