This article focuses on one aspect of the late mediaeval debate over divine power, as it was discussed by Oxford philosophers Walter Chatton (d. 1343) and William Ockham (d. 1347). Chatton and Ockham would have agreed, for example, that God is ultimately responsible for the existence of the works of Pablo Picasso, but they would not agree over wheher it violates God's omnipotence to say that he cannot make something that Picasso made, for example, the painting Guernica, without using Picasso (...) himself as an intermediate cause. The context of their dispute was a larger debate regarding the ontological status of relations. This article (1) explains how these two issues, omnipotence and relations, became so interestingly tangled together, (2) tries to see which of the two men mentioned above got the better of their exchange, and finally (3) draws out some important consequences for fourteenth-century discussions of causality, occasionalism, and omnipotence. (shrink)

The important impact of the French Franciscan Peter Auriol (ca. 1280-1322) upon contemporary philosophical theology at Oxford is well known and has been well documented and analyzed, at least for a narrow range of issues, particularly in epistemology. This article attempts a more systematic treatment of his effects upon Oxford debates across a broader range of subjects and over a more expansive duration of time than has been done previously. Topics discussed include grace and merit, future contingents and divine foreknowledge, (...) and the logic of the Trinity. (shrink)

The quodlibetal collection sat Oxford in the are fourteenth century are discussed.

Rondo Keele makes a foray into what he calls 'applied logic', investigating a complex argument strategy employed against Ockham by his greatest contemporary opponent, Walter Chatton. Chatton conceives a two-part strategy which attempts to force a kind of iteration of conceptual analysis, together with an infinite explanatory regress, in order to establish that one particular philosophical analysis is ultimately dependent on another. Chatton uses this strategy against Ockham in order to show that the latter's reductionist metaphysics depends ultimately upon a (...) deeper level of realist assumptions that he can neither evade nor explain away. Keele then shows how, earlier in his career, Chatton found himself on the receiving end of this same strategy, defending his own highly original solution to the problem of future contingents from the very iteration-regress attack he would subsequently use on Ockham. Keele concludes with an examination of Chatton's attempts to avoid the consequences of his own strategy, and draws some connections between this argument strategy and modal collapse in modern logics. (shrink)